JOHN PETRUCCI - GLASGOW KISS TABLATURE

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Drum Teacher at Bontang

andra-surrender By Mickel (klik to download)

Super funk By Mickel (klik to download)

Types


Paul Reed Smith Standard 22

Solid bodySolid body electric guitars have no hollow internal cavity to accommodate vibration and no sound holes such as those used to amplify string vibrations in acoustic guitars. Solid body instruments are generally made up of hardwood with a lacquer coating. The wood is dried for 3 to 6 months in heated storage before being cut to shape. The sound that is audible in music featuring electric guitars is produced by pickups on the guitar that convert the string vibrations into an electrical signal. The signal is then fed to an amplifier (or amp) and speaker.
One of the first solid body guitars was invented by Les Paul. Gibson did not present their 'Les Paul' guitar prototypes to the public, as they did not believe it would catch on. The first mass-produced solid-body guitar was Fender's Broadcaster (later to become the 'Telecaster') first made in 1948, five years after Les Paul made his prototype. The Gibson Les Paul appeared soon after to compete with the Broadcaster.

String-through body
When discussing electric guitar construction, the term string-through body is used to describe a type of solid body electric guitar body in which the strings are threaded through holes drilled into the bottom of the guitar body. The strings are typically held in place using metal ferrules screwed or glued into the holes.
The advantages of a string-through body mostly relate to improvements in a guitar's sustain and timbre. It is also by nature impossible to install a tremolo arm and have the string ends anchored through the body. Tremolo systems change string tension by changing the physical length of the string. This requires the end of the string to be anchored to the (tremolo) bridge unit directly, instead of to the wood of the body. [A talented guitar luthier or repair person is certainly capable of installing a tremolo bridge on this type of guitar, however, this is rarely done as it eliminates whatever tonal benefits are provided by the string-through body system and permanently degrades the value and collectability of the original instrument.]
Examples of string-through bodies on guitars include the Fender Telecaster Thinline and Telecaster Deluxe.


Semi-acoustic

                                                                                   An Epiphone brand semi-acoustic hollow-body guitar.

                                                  
These guitars have a hollow body and electronic pickups mounted on its body. They work in a similar way to solid body electric guitars except that because the hollow body also vibrates, the pickups convert a combination of string and body vibration into an electrical signal. A variant form, the semi-hollow body guitar, strikes a balance between the characteristics of solid-body and hollow-body guitars. Advocates of semi-hollow-body guitars[who?] argue that they have greater resonance and sustain than true solid-body guitars, as a solid wood body. Several metal bodies were made in the 1950s by violin and cello makers. In the 1970s, John Veleno made a polished aluminum guitar. Liquid Metal Guitars makes a metal body guitar made out of a solid block of aluminum and then chrome or gold-plates the instrument. Many guitars otherwise sold as solid-bodied instruments, such as the Gibson Les Paul or the PRS Singlecut, are built with "weight relief" holes bored into the body which affect the sound of the instrument. The Les Paul Supreme edition is currently described by the manufacturer as a "chambered" instrument, with a weight relief system designed to positively affect the sound.


Electric acoustic
Some steel-string acoustic guitars are fitted with pickups purely as an alternative to using a separate microphone. They may also be fitted with a piezoelectric pickup under the bridge, attached to the bridge mounting plate, or with a low mass microphone (usually a condenser mic) inside the body of the guitar that will convert the vibrations in the body into electronic signals, or even combinations of these types of pickups, with an integral mixer/preamp/graphic equalizer. These are called electric acoustic guitars, and are regarded as acoustic guitars rather than electric guitars because the pickups do not produce a signal directly from the vibration of the strings, but rather from the vibration of the guitar top or body. These should not be confused with semi-acoustic guitars, which have pickups of the type found on solid body electric guitars.
String, bridge, and neck variants
Although rare, the one-string guitar is sometimes heard, particularly in Delta blues, where improvised folk instruments were popular in the 1930s and 1940s. Eddie "One String" Jones had some regional success with a Mississippi blues musician Lonnie Pitchford played a similar, homemade instrument. In a more contemporary style, Little Willie Joe, the inventor of the Unitar, had a rhythm and blues instrumental hit in the 1950s with "Twitchy", recorded with the Rene Hall Orchestra. The best-known exponent of the four-string guitar, often called the tenor guitar was Tiny Grimes, who played on 52nd Street with the beboppers and played a major role in the Prestige Blues Swingers. Grimes' guitar omitted the bottom two strings. Deron Miller of CKY only uses four strings, but plays a six string guitar with the two highest strings removed. Many banjo players use this tuning: DGBE, mostly in Dixieland. Guitar players find this an easier transition than learning plectrum or tenor tuning.


Seven-string
Most Seven-string guitars add a low "B" string below the low "E". Both electric and classical guitars exist designed for this tuning. A high "A" string above the high "E" instead of the low "B" is sometimes used. Another less common seven-string arrangement is a second G string situated beside the standard G string and tuned an octave higher, in the same manner as a twelve-stringed guitar (see below). Jazz guitarists using a seven-string include veteran jazz guitarists George Van Eps, Bucky Pizzarelli and his son John Pizzarelli.
Seven-string electric guitars were popularized among rock players in the 1980s by Steve Vai. Along with the Japanese guitar company Ibanez, Vai created the Universe series seven string guitars in the 1980s, with a double locking tremolo system for a seven string guitar. These models were based on Vai's six string signature series, the Ibanez Jem. Seven-string guitars experienced a resurgence in popularity in the 2000s, championed by Linkin Park, Slayer, KoRn, Fear Factory, Strapping Young Lad, Nevermore, and other hard rock/metal bands. Metal musicians often prefer the seven-string guitar for its extended lower range. The seven-string guitar has also played an essential role in progressive metal rock, and is commonly used in bands such as Dream Theater, Pain of Salvation and by experimental guitarists such as Ben Levin.


Eight and nine-string
Eight-string electric guitars are rare, but not unused. One is played by Charlie Hunter (manufactured by Novax Guitars). The largest manufacturer of 8- to 14-strings is Warr Guitars. Their models are used by Trey Gunn (ex King Crimson) who has his own signature line from the company. Also, Mårten Hagström and Fredrik Thordendal of Meshuggah used 8-string guitars made by Nevborn Guitars and now guitars by Ibanez. Munky of nu metal band KoRn is also known to use seven-string Ibanez guitars and it is rumored that he is planning to release a K8 eight-string guitar similar to his K7 seven-string guitar. Stephen Carpenter of Deftones also switched from 7 to 8 string in 2008 and released his signature STEF B-8 with ESP Guitars. In 2008 Ibanez released the Ibanez RG2228-GK which is the first mass produced eight-string guitar. Jethro Tull's first album uses a nine-string guitar on one track. Minarik Guitars manufactures the "Inferno V" 9 stringed guitar that has the top three strings doubled up with strings that are an octave higher, like 12 stringed guitars. Bill Kelliher, guitarist for the heavy metal group Mastodon, worked with First Act on a custom mass-produced nine-string guitar.


Ten-string
B.C.Rich manufacture a ten-string six-course electric guitar known as the Bich, whose radical shape was specifically designed to allow the machine heads for the four secondary strings to be positioned on the body, avoiding the head-heaviness of many electric twelve-string guitars. However many players bought it for the body shape or electrics and simply removed the extra strings. The company recognized this and released six-string models of the Bich, but ten-string models also remain in production.
In October 2008, a ten-string electric jazz guitar by Mike Shishkov was demonstrated at the 3rd International Ten String Guitar Festival. This instrument was based on the ten-string extended-range classical guitar.


Twelve-string
Twelve string electric guitars feature six pairs of strings, usually with each pair tuned to the same note. The extra E, A, D, and G strings add a note one octave above, and the extra B and E strings are in unison. The pairs of strings are played together as one, so the technique and tuning are the same as a conventional guitar, although creating a much fuller tone. They are used almost solely to play harmony and rhythm. They are relatively common in folk rock music. Lead Belly is the folk artist most identified with the twelve-string guitar, usually acoustic with a pickup.
George Harrison of The Beatles and Roger McGuinn of The Byrds brought the electric twelve-string to notability in rock and roll. During the Beatles' first trip to the US, in February 1964, Harrison received a new "360/12" model guitar from the Rickenbacker company, a 12-string electric made to look onstage like a 6-string. He began using the 360 in the studio on Lennon's "You Can't Do That" and other songs. Roger McGuinn began using electric 12-string guitars to create the jangly sound of The Byrds. Another notable guitarist to utilize electric 12-string guitars is Jimmy Page, the guitarist with hard rock-heavy metal and rock group Led Zeppelin.


3rd bridge
The 3rd bridge guitar is an electric prepared guitar with an additional 3rd bridge. This can be a normal guitar with for instance a screwdriver placed under the strings, but can also be a custom made instrument. Lee Ranaldo of Sonic Youth plays with a 3rd bridge.


Double neck guitar

Double neck (or, less commonly, "twin-neck") guitars enable guitarists to play guitar and bass guitar or, more commonly, a six-string and twelve-string. An early user was John McLaughlin, but the double-neck guitar was popularized by Jimmy Page, who used a custom-made Gibson EDS-1275 to perform the "Stairway to Heaven" and "The Song Remains the Same", although "Stairway to Heaven" was actually recorded using a Fender Telecaster. Don Felder also used the Gibson EDS-1275 during the Hotel California tour.

Improvisation and melody

Melody and improvisation is an instrument or a variation in playing music. There are differences between the two, if the melody is a game notation without rhyme (instrumental) with chord accompaniment rhitem and round, while improvisation is played out notation of the original melody, but still in rhitem and round the same chord. Improvisation is usually played in Interlude song or between rounds of the first song to song to the second round. Melody and improvisation can be played in single (soloists) with musical instruments piano, guitar, violin, keyboard, or a saxophone. Improvisation in the play, someone is required to package the original melody notation with a variety of techniques, so that the resulting notation is more varied, innovative, and can build and influence the listener or the emotions of the beholder. Thus, it is woven from two-way communication between players and listeners.
Improvisation is not a difficult game to learn. Usually the difficulty in charge of melody and improvisation due to lack of exercise and prefers to play games in high-speed notation or use excessive effects. So in this case did not prioritize the aspects of harmony, including whether the content is played notation can be enjoyed by the layman or not. Improvisation is not only played a notation and shows skill in playing musical instruments, but more important is how complete the materials (content) used in these improvisations, so that listeners will "float" along with the material presented.

Playing improvised yet players could be called improvisation (improvisator). However, improvisation was a stage play to be able to play different notations with the original melody. A person can be said as improvisator if he has to understand and be able to play notations outside the original melody to include various elements contained therein.

1. Melody and improvisation

A. Birth of Improvisation
Born improvised music in line with the birth of her genre "blues". Blues is the thrill of Negro slaves who wanted freedom due to the system of slavery. Slaves diamonds from Africa are forced to work on plantations owned by Europeans in America. Especially along the Mississippi in the 18th century. Their behavior is limited, even to communicate with each other was strictly prohibited. Communication they do is sing and whistle they contain a string of tunes that make up the melody. This is the forerunner to the birth of the blues-jazz and world music concepts.

Finally, hope and their desire to obtain and enjoy the freedom achieved also by the abolition of slavery in the American system. Every day happy negro slaves singing, dancing, especially along the streets of New Orleans. Their singing style was called a "Blues" or moans of sadness that poured into the form of song. Furthermore, many Negro slaves who began playing musical instruments to accompany the legacy of master their singing (Blues). Scales created a Negro slave creation product which is called the scale "Blue Not" or more popular with Blues pentatonic scales. Blues music evolved into jazz and blues music form other branches, such as the Country Blues, Urban Blues, Blues, 12 Bar, and Rhitem and Blues.

Jazz is one genre of music that comes from Blues music and was influenced by classical music is often listened to by their employers in a banquet and dance antarkerabat. Nuances of classical music to inspire harmony of the creation of the patterns of harmony Jazz melodies. Besides Jazz also influenced by the Marching Band. as well as Blues, Jazz was developed to form other styles, including Ragtime, Boogie woogie, Swing, Bebop, Fusion, Jazz Rock, Jazzy, Foxtrot, Samba, and Bossa Nova. Jazz music plays one form of rhythm dasri Swing, Bebop, Fusion must be prosecuted or the existence of development and creativity that is called "Improvisation". In the playing improvisational notation needed materials or materials that will be formed into patterns of improvisation. To be able to walk harmonic improvisation, improvisation techniques are required, engineering dynamics, and engineering appreciation. Improvisation is said to be perfect if accompanied by expressions (appreciation), harmony (classical music), and progressive (the spirit of marching band).

Basically Blues, Jazz and improvisation has the same meaning, namely the desire to obtain "freedom" berekpresi in producing copyrighted works without being tied by the existing rules. Improvised music in the game is to play music without being tied to the composition of the basic melody, but still in the music chord rotation concept. From the above understanding, Blues, Jazz and Improvisation can be summarized as follows.
- Blues is the volatility of the latent desires and shackled to live freely and determine their own lives without being tied down by rules imposed.
- Jazz is the musical potential in people that one of them gave birth to various forms of rhythm, such as Ragtime, Boogie woogie, Swing, Bebop, Fusion, Jazz Rock, Jazzy, Foxtrot, Samba, and Bossa Nova. Musicality include instinct, instinct, thought patterns, emotions, expression, feelings, and harmony of music into one entity.
- Improvisation is the potential for creativity in the person who always had a desire to make changes and create new things.

Improvisation is berekpresi freedom and creativity to produce new works that are more innovative. In menjabarkannya not as simple notations outside playing original songs, although this is already known to play improvised music. But there are rules that must be understood and dominated, so the product of improvisation or the result of improvisation games you sounded beautiful, harmonious, and progressive. Improvisation is expressive, the meaning of good and evil a product of improvisation is very much determined by the condition of emotions and feelings of people who are playing it. If you're feeling uncertain, the resulting improvisation certainly sounded less good. on the contrary, if the feeling was festive and fun, improvisation produces beautiful sounds, harmonies and vibrant.

Playing improvised yet players could be called improvisation (improvisator). Improvisation is the stage play to be able to play different notations with the original melody. Someone could say improvisator if he has to understand and be able to play the notations outside the original melody to include various elements as follows.

1. Competence (skill)
Strong technical, physical, Seta familiar with the theory and the basics of improvisational games for all types of music and rhythmic character.

2. Capacity (capacity)
Have the insight and ability to interpret and implement the material or materials to be formed into improvised notation.

3. Harmony
Has a good sensibility in express, create and establish patterns and improvisation to build power lines into a product improvised harmony.

A improvisator need to understand the principles of improvisation, mastering the material, and improvisation techniques. Improvisation is not just making an entertaining show, but a reflection of the creativity that as difficult as any play, but even laymen can easily understand it. In this case eksperial Blues is the basis of learning in the process of recognition and learning to become a improvisator. Playing the Blues improvisation can fill out and educate you to play with great character and appreciation. Improvisation is the show itself. This will be the most effective media to promote your expertise in playing, choosing units such as the tone becomes structured concepts in the story theme, climax, and closure.



B. Improvisation Technique
Improvisation techniques need to be controlled by a improvisator improvisation more perfect games. Here are some frequently used improvisation techniques.

1. Glissando
Technique Improvisation Games memainkanm by successive tones (up or down) in a series of tones.

2. Arpeggio
Improvisational techniques in a way the game plays successive tones of a chord formed.

3. Motion Conjunt
Movement techniques through improvisation games every note melody is closely connected with the nearest tones.

4. Parallel Motion
The technique of improvisation by playing games tones simultaneously within one interval.

5. Similar Motion
Improvisational techniques in a way to play the game (note up or down) simultaneously.

6. Contrary Motion
The technique of improvisation games with a tone to play some part. One part to the high level, while the next section down.

7. Motion oblique
Improvisational techniques in a way the game plays tunes separate from the other.

8. Improvisation Technique With Dynamics
Here are some of the dynamics of improvisational techniques.
o Articulation
The technique of improvisation games with sounds a tone for the tone correctly, clearly and firmly.
o Intonation
The technique of improvisation games with tone for tone and a pressurized correctly.
o accentuation
Technique game with sounds improvised passages with pengatan notations (Accents).
o tremolo
Is a technique of improvisation by playing each game repeatedly notation.
o Legato
The technique of improvisation by playing games notations length in the pattern of improvisation.
o staccato
Improvisational techniques in a way the game plays notations are disjointed.
o Cressendo
Improvisational techniques in a way the game plays notations are becoming increasingly hard.
o Vibration
Improvisational techniques in a way the game plays notations are vibrating or undulating.


[Improvisation notation for study materials reviewed at the next session]